MIS-EN-SCENE ANALYSIS (CHAPTER 2)<\/p>\n
Film Critique #1<\/p>\n
DUE :<\/p>\n
SUNDAY, MARCH 26TH BY 11:59PM.<\/p>\n
FORMAT :<\/p>\n
Two-page Minimum (This does not include the FILM STILL SHOT (Image\/Photo from film) that you will turn in with your critique) Ten-page maximum<\/p>\n
Typed<\/p>\n
Double-spaced<\/p>\n
Font-Times New Roman 12 point<\/p>\n
CONTENT :<\/p>\n
The critique will consist of you viewing the film of your choice and then choosing a film still shot (image\/photo) from that film to analyze using the Mis-En-Scene 15-point analysis below (Please refer to Chapter 2). The critique should be in paragraph form. The critique should not include the actual questions below. For your convenience, I have provided you with a Mis-En-Scene 15-point analysis cheat sheet below<\/p>\n
MISE-EN-SCENE ANALYSIS:<\/p>\n
1. The Dominant-Where is our eye attracted first? Why?<\/p>\n
2. Lighting Key-High key? Low key? High contrast? Some combination of these? Why?<\/p>\n
3. Shot and Camera Proxemics-What type of shot? How far away is the camera from the action? Why?<\/p>\n
4. Camera Angle-Are we (and the camera) looking up or down on the subject? Or is the camera neutral (eye level)? Why?<\/p>\n
5. Color Values-What is the dominant color? Are there contrasting foils? Is there color symbolism? Why?<\/p>\n
6. Lens\/Filter\/Stock-How do these distort or comment on the photographed materials?<\/p>\n
7. Subsidiary Contrast-After taking in the dominant, where does the eye go next? What are the other main objects in the shot besides the dominant?<\/p>\n
8. Density-How much visual information is packed into the image? Is the texture stark, moderate, or highly detailed?<\/p>\n
9. Composition-How is the two-dimensional space segmented and organized? What is the underlying design?<\/p>\n
10. Form-Is the form open or closed? Does the image suggest a window that arbitrarily isolates a fragment of the scene? Or a proscenium arch, in which the visual elements are carefully arranged and held in balance?<\/p>\n
11. Framing-Is the framing tight or loose? What does the framing suggest?<\/p>\n
12. Depth of field-On how many planes is the image composed (how many are in focus)?<\/p>\n
13. Character Placement-What part of the framed space do the characters occupy? Top? Bottom? Edges? Why?<\/p>\n
14. Staging Positions-Which way do the characters\u2019 look vis-\u00e0-vis the camera? Why?<\/p>\n
15. Character Proxemics-How much space is there between the characters? What does this symbolize?<\/p>\n
——<\/p>\n
ANALYSIS OF A MIS-EN-SCENE (CHAPTER 2)<\/p>\n
#1 Film Critique<\/p>\n
DATE:<\/p>\n
BY 11:59PM ON SUNDAY, MARCH 26TH.<\/p>\n
FORMULA:<\/p>\n
Two-page Minimum (This does not include the FILM STILL SHOT (Image\/Photo from film) that you will turn in with your critique) Ten-page maximum<\/p>\n
Typed<\/p>\n
Double-spaced<\/p>\n
Font-Times New Roman 12 point<\/p>\n
CONTENT :<\/p>\n
The critique will consist of you viewing the film of your choice and then choosing a film still shot (image\/photo) from that film to analyze using the Mis-En-Scene 15-point analysis below (Please refer to Chapter 2). The critique should be in paragraph form. The critique should not include the actual questions below. For your convenience, I have provided you with a Mis-En-Scene 15-point analysis cheat sheet below<\/p>\n
MISE-EN-SCENE ANALYSIS:<\/p>\n
1. The Dominant-Where is our eye attracted first? Why?<\/p>\n
2. Lighting<\/p>\n","protected":false},"excerpt":{"rendered":"
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